Abstract
This episode is part four of four of the lecture series [HTA 31] on the ‘first leg’ of María Lugones’s Pilgrimages / Peregrinajes_ Theorizing Coalition against Multiple Oppressions [2003].
Primary Source
Lugones, María. Pilgrimages / Peregrinajes: Theorizing Coalition against Multiple Oppressions. Laham/New York/Boulder/Oxford: Rowman and Littlefield Publishers, Inc., 2003.
Guiding Questions
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Why is Lugones concerned with sameness and difference?
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How does a respect for difference honor intermeshing oppressions?
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Why is the logic of purity contrary to resisting intermeshing oppressions?
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What does it mean for people to be multiple, and why does this change where we must start in resisting intermeshing oppressions as well as the logic of purity?
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Why does learning to see resistance require us to learn to see domination, and how does this relate to how she explains what it means to witness faithfully?
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Why does Lugones’s Mamá speak ‘nonsense’?
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What does Lugones mean by pilgrimage, and how does it offer us resources for resisting domination?
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What does Lugones mean when she says that “you” may go anywhere but not as “you” per se? Who would you be instead, were to go anywhere carte blanche?
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What is the meaning and value of trespassing?
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Explain the polyvalence of mistakes and sabotages in acts of resistance.
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What does Lugones mean by traveling?
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Why is Lugones concerned with seeing others as pliable, foldable, file-awayable, classifiable and how does this relate to categorial fragmentation?
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What is the relationship between bourgeois travel, tourism, epistemic imperialism, practices of domination, logics of purity, and narcissism?
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How does Lugones define worlds? Why are they always lived? Why are they multiple? Why do they always have multiple real, actual orders of meaning [not just interpretations]?
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Why does Lugones “use worlds against the grain of atomic, homogeneous, and monistic understandings of the social in any of its dimensions”?
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Why does Lugones recommend playfulness, and what does she mean by this? How are fear and playfulness related?
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What method of explication and writing does Lugones utilize instead of “getting to the gist” or reducing her thinkers’ arguments into atomic readings?
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What does Lugones mean by curdling separation, and why does it offer us a crucial notion for resisting colonialism, patriarchy, and ethnocentric racism?
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What does streetwalker theorizing offer us, and how does it do so?
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Why does Lugones include images by Mildred Beltré, and how do they intersect with the rest of the text?
Please use these questions for the entirety of Unit 4, choosing 1-3 new questions each week, as Lugones does an excellent job articulating her main ideas in the Introduction.
YouTube Lecture
YouTube: HTA 31.4; Lugones, Pilgrimages / Peregrinajes [2003]; First Leg; Part Four.